Snow

Commentary

Sifted, unfallen snow,
settling and unsettling snow,
snow resting like mortar on the stone
of the cold, unroofed, unfinished home
we call the world,
snow drifting far, and wide.
But we drift, then fall.
Suddenly small,
finding nothing to grasp,
we suddenly gasp
weakly, weakly,
soon silenced, and sleepy. 

The trees are restless.
Through the broken window wind whistles,
the wind scours the nettles and thistles
of the useless clay.
Feebly, like a wasted day,
the low light of the sun,
shining no doubt steadily upon
the clouds - unsteady, blustering -
lights upon this sodden hut sheltering
from the wind and driven rain me.
I can see and foresee
a far more comfortless shelter.

Lush leaves, drunken butterflies, great swallows,
the enormity of life, short shadows,
staggering bats,
the glowing path of the endless lake that's
The Milky Way, an infinity-inwards
the rushes of time, the hordes,
their silent cries,
of fireflies.

The lake's fullness fulfils me,
mountainous water's overwhelming
surface deep in the mind.
The sun beats the water,
swaying in the heat -
I feel rather than see -
the water's calmness stirs and excites like a drum-beat,
the sun beats the surface to gold leaf,
the lake with its complex of bays
a molten maple leaf.

Starry night,
so recondite.
Send your light
into our night.
The trees were barely white.
The sky was largely grey.
The stored potatoes turned black.
That winter, all the family starved.
The children were buried in potato sacks.


Commentary





Refuse to be refuse,
you exploited.*
Cogs, refuse to turn.
Never, you may think,
allowed next to no other luxuries,
allow yourself these:
patience and forgiveness.
Reduce the weight of illusion.
So, if acceptance
must be accepted
accept, be patient,
either even or never forgive.
*word itself exploited.

Your life,
full of chance and finalities,
can have the smiling assurance
of something which never thinks.
Be like nature,
which accompanies wars and killings,
its own discreet or dramatic killings,
with snow settling, winds blowing,
the sun rising or setting with such simplicity,
on such carnage.
Be happy, be contented, be dissatisfied, be many.
Feel the ecstasy of the hunter,
the terror of the hunted,
the anger of the one who acts to stop the killing,
but of course, so rarely can. 
The blizzard stopped. I started.
The huge moor rearing above
these farm buildings huddled like sheep
had waited, I'd sheltered,
too long.
What would only belong long in memory,

this strong beauty, a wind,
from cutting edge north-easterly,
sculpting the snow,
to warm, wet, west
would end - in me
trudging, trampling
the dirty moor,
bitterly regretting
the mild and pleasant wind.

Commentary

Fields unlike fields,
snowed under, in the dark,
stark, staring at, standing snowflake -
near, no other -
watching, watching the whiter than white,
strong, silent fields of another
fielding flakes,
caught out by the cold, the dark
wilderness of the fields.

Plunging like a mountain torrent,
showering snowy spray
in an effortless display
of bravura descent,
the skier
shot by the dangerous rocks,
skimmed successive massive steep banks
far and fast from here -
suddenly
a strange blot,
a distant dot
and nothing to do with me.
Tearing apart -
the fear of violence.
Bringing together -
the fear of silence.

Page-Home

Poems: a Large Page Design

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Information Board for using the page

  • This page, which gives a selection of my poems, can be easily used without any further explanation but Page travel gives a very short introduction to aspects of Large Page Design.
  • The poems are in different regions of the page, with poems linked by form, subject or tone.
  • Click on an underlined link in the Region-list to the right to go to a region.
  • To travel back to Page-Home, perhaps to use the list again, click anywhere in a poem. (The page uses 'dual-function ' images and text.)
  • If you use Internet Explorer 7 or 8 (or the browser Opera) zoom facilities give an aerial view of the page. 50% is a suitable level to use. Zoom facilities are at the bottom right of the screen.
  • Some of the poems have a linked Commentary.

 

 

Humour and sarcasm

A Learning Zone

The first thing you notice is a loud noise,
as if from hundreds - thousands - not thirty girls and boys,
a shouting. shoving, guffawing, seething mass
boiling over with resentment, hostile and crass.
Some of them do have a purposive look
but they're writing on the walls, not in an exercise book.
(A helpful youth tries to wash away all their crap,
using a Bunsen burner connected to a water tap.)
Today, the teacher has to assess them on this:

Skill 87, 'Learning strategies in formulating a scientific hypothesis.'
The teacher pleads for their attention,
mumbles words like "extra work" and "detention"
but the only response is the throwing of a dart
(the kind thrown in pubs, not a product of the paper-folder's art,
though this does play a part in their war games:
a paper aeroplane is lit, launched and crashes in flames.)
Then it happens yet again, yet again - someone farts.
Gales of laughter, bless their little hearts.
The teacher loses all self-control and shouts, "Who did that?"
The teacher's pet owns up at once: "Me, you twat!"
Surprisingly, in the end, Skill 187 is actually assessed,
though most of the answers are meaningless.
Astonishingly , the Headteacher writes for this teacher's references,
(after "His philosophy of education is pupil-centred. Pupil preferences,
aims and objectives are paramount always...")
"His examination results are excellent: many, many grade A's."
The bell rings. The teacher hopes that a note of quiet authority
will impress the inspector lying there, hit by a missile, unable to see
but still recording Learning Performance-Indicators - many, many zeroes.
The Learning Inspection Partnership has its unflinching heroes!
"Please email Laptop-Learning Outcomes by tomorrow.
Upper sixth, you may go."

Nature poetry
War, the Holocaust and the Troubles in Northern Ireland








Commuters





 

 

 

As day turns to night tonight,
in a bed as soft as the half light,
a man turns to a woman,
both near to sleep, the man
mentions his emotions,
she shudders, both suddenly emotion-
less, and she says,
"Are we going crazy?"
Relationships in trouble
Miscellaneous